Giannina Scorza
1999

Stuttgart has now abandoned that figurative realism and the emotion of an observance of the view to try its hand at the results of a stylistic figure that renounces any criterion of formal vision.

Art critic Mercantile Courier Genoa.

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Sandro Serradifalco
2012

"Highlighting an introspective logic positively brought to stylistic versatility, Luciano Stuttgard pours into his pictorial timbre a variety of interpretative needs. From revisited figuration, in a clear post-avant-garde key, to the more concrete abstract dialectic, his hand tends to materialize a clear and intense vision of his artistic soul. All in a crescendo that does not disorientate the viewer at all but leads him towards the stylistic path of a valid contemporary interpreter, capable of experimenting

incessantly, playing, studying, understanding and acting according to dictates arising from concrete and acute observations.

Observations that retrace the path of time, giving small memories to every single step

fragments of forgotten meanings

Art Publisher

Dr. Paolo Meneghetti
2004

Luciano Stuttgart offers an abstract idea of art, which, however, ultimately becomes almost multimedia-complicated. On the screen of the modern world, the "lights" of life are increasingly frenetically colored.

Luciano Stuttgart allows the image to be structured within its own circuit. It's as if we're seeing artistic frames. The aesthetics of abstraction are reconfigured in a pop key.

philosopher and aesthetics critic

Dr. Salvatore Russo
2011

Through his works, Stuttgart analyses the human soul.

The artist creates unusual color combinations that carry a latent meaning. The colors are those of the Soul. What is represented is the soul with its nuances. Stuttgart's true strength lies in his exploration, which transcends every known universe in search of the unsaid in Art. Art critic.